To Know, or not to know?


So, does it enhance your enjoyment of a work of dance if you are aware of certain facts, such as the genre, choreographer, any story line or thematic thread?  Or, is it better to go in with absolutely no preconceived notions, and just react to what is before you?  That is the question, and some various presenters have come up with some interesting solutions:

Do you agree, that not knowing is a better way to go (after all, there’s no bias to affect you, based on previous likes/dislikes) or that marketing based on a choreographer’s reputation is essential in the digital world (will you go to a dance event that you know NOTHING about before hand)?

Give me some feedback, after you’ve read through the article from The Guardian.